Sökresultat - ((to play) OR (((the lady) OR (the way)))) for today

Performance in the Zócalo : Constructing history, race, and identity in Mexico's central square from the colonial era to the present. av Martínez, Ana

“…Today, the Zócalo is a site for both official government-sponsored celebrations and performances that challenge the state. …”
Omslagsbild

The definitive jazz collection [88 songs] : piano, vocal, guitar

Innehåll: “…After you've gone -- Ain't misbehavin' -- All of me -- All the things you are -- Angel eyes -- Bernie's tune -- Birdland -- Bluesette -- Body and soul -- But not for me -- Come rain or come shine -- Cry me a river -- A day in the life of a fool -- Desafinado (Slightly out of tune) -- Do nothin' till you hear from me -- Don't get around much anymore -- Early autumn -- Fever -- Fly me to the moon -- A foggy day -- From this moment on -- The girl from Ipanema -- Give me the simple life -- God bless' the child -- Gone with the wind -- Guess who I saw today -- Here's that rainy day -- Honeysuckle Rose -- How high the moon -- How insensitive -- I loves you Porgy -- I'll remember April -- I've got you under my skin -- In the still of the night -- Indiana (Back is home again in Indiana) -- It's all right with me -- Just in time -- Just one of those things -- The lady is a tramp -- Let there be love -- Limehouse blues -- Little girl blue -- Long ago (and far away) -- Love for sale -- Lover, come back to me! …”

Song loves the masses : Herder on music and nationalism av Herder, Johann Gottfried, 1744-1803

“…How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? …”

Fall of the big top : the vanishing American circus av Hammarstrom, David Lewis

The making of Irish traditional music av O'Shea, Helen

“…The conclusion that a radicalised ideal of national culture and an assimilative model of cultural contact are compatible has important implications for Irish society today. …”

The l:sten:ng biennial reader Vol. 1 Waves of listening

Introduction to the art of stage management : a practical guide to working in the theatre and beyond av Vitale, Michael (Production manager)

“…Summary: "How do you develop the craft and skills of stage management for today's theatre industry? …”

120 super songs of the super stars

Innehåll: “…Living next door to Alice -- Lonely night (angel face) -- Long may you run -- Love in the shadows -- Love is alive -- Love me -- Love so right -- Love theme from kiss -- Love will keep us together -- Lowdown -- Lyin' eyes -- Massachusetts -- Maybe I'm amazed -- Midnight on the bay -- Monkey see- Monkey do -- Never gonna fall in love again -- Nights are forever without you -- Nowhere man -- Ob-la-di, ob-la-da -- Out of the darkness -- Party -- Popsicle toes -- Queen of my soul -- Rainbow in your eyes -- Ramblin' man -- Rocket man (I think it's going to be a long time) -- Run to me -- Say you'll stay until tomorrow -- Searchin' for a rainbow -- Shake your rump to the funk -- Sister golden hair -- Slow dancin -- Someone to lay down beside me -- Something he can feel -- The song remains the same -- Steppin' out -- Summertime dream -- sunrise -- Sunshine of your love -- Tear the roof off the sucker (give up the funk) -- This song -- Tie a yellow ribbon round the ole oak tree -- To the morning -- Today's the day -- Tryin' to get the feeling again -- walk this way -- Welcome back -- We're all alone -- Wild night -- The wreck of the Edmund Fitzgerald -- Year of the cat -- Yesterday -- You are the woman -- You gotta make your own sunshine -- You make me feel like dancing -- Young hearts run free -- You're so vain -- You should be dancing -- You've got to hide your love away -- Your mother should know…”

Experiential theatres : praxis-based approaches to training 21st century theatre artists

“…Through case studies, interviews, and classroom applications the book offers a synthesis of theory, practical application, pedagogical tools, and practitioner guidance to develop a praxis-based model for university theatre educators training today's theatre students. …”

The invention of folk music and art music : emerging categories from Ossian to Wagner av Gelbart, Matthew

“…This study considers the origins and implications of the way in which we categorize music today. …”

Adapting greek tragedy : contemporary contexts for ancient texts

Eco-performance, art, and spatial justice in the US av Ryan, Courtney B.

“…"In Eco-Performance, Art, and Spatial Justice in the US, Courtney B. Ryan traces how urban artists in the US from the 1970s until today contend with environmental domestication and spatial injustice through performance. …”

Hits 2007 årets bästa låtar

Innehåll: “…Play it for the girls (Jeanie, won't you take a chance) --…”

Billboard songbook series The best of 1968

Resisting spirits : drama reform and cultural transformation in the people's republic of China av Greene, Maggie

Never ending stories : the loop in art, film, architecture, music, literature, and cultural history

(hänvisning, utdrag ur arkivförteckningen över Rune Gustafssons arkiv: F1 Projekt, F2 Övriga ämnesordnade handlingar)

Innehåll: “…Titlar: Again, Ain't Misbehavin', Black and Blue, Do Nothin' Till You Hear From Me, Don't Be That Way, Everything I Have Is Yours, For All We Know, Guilty, Home (When Shadows Fall), I Cried For You, I Got It Bad And That Ain't Good, I'm Gettin' Sentimental Over You, I'm In The Mood For Love, I Surrender Dear, It Don´t Mean A Thing, Once In A While, No Regrets, Taking a Chance On Love, That Old Feeling, Sophisticated Lady, Straighten Up And Fly Right, You're A Sweetheart. …”
Arkivförteckning Rune Gustafssons arkiv (pdf)
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Playing with identities in contemporary music in Africa

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Rounds, canons and songs from printed sources

Innehåll: “…He that will an alehouse keep -- And seest thou my cow today, Fowler? -- Kit and Tom chid-a -- Derry ding ding dasson -- As I went by the way, holum trolum -- Country pastimes. …”

Den kapitalistiska skådespelaren : aktör eller leverantör? av Friberg, Ulf, 1962-

“…What strategies can the field of the theatre, in general, and the actors, in particular, use to create space for the development of the craft of acting in a new era? …”