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At the origins of classical opera : Carlo Goldoni and the "dramma giocoso per musica" av Rista, Pervinca

“…Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a `double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. …”

Classical guitar student's library concert collection

Bel canto : the teaching of the classical Italian song-schools, its decline and restoration av Manén, Lucie

Ten Italian violin concertos from Fonds Blancheton P. 1

Opera and sovereignty : transforming myths in eighteenth-century Italy av Feldman, Martha

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Classic Italian songs for school and studio : in three volumes Volume III issued for medium low

Ten Italian violin concertos from Fonds Blancheton P. 2

Ten Italian violin concertos from Fonds Blancheton

Francesca Caccini at the Medici court : music and the circulation of power av Cusick, Suzanne G.

La pastorella canzonetta av Rossini, Gioachino, 1792-1868

European film music

Eighteenth-century piano music

Eleven songs Lieder by women composers of the classic era : Volume VIII / by Corona Schröter ; edited by Barbara Garvey Jackson av Schröter, Corona, 1751-1802

Drama queens 13 selected arias from early baroque to classic : piano vocal score for mezzo-sopran and soprano

Eight songs Lieder and Other Songs by Women Composers of the Classic Era : Volume VI av Schröter, Corona, 1751-1802

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 30, Betulia liberata

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 29, Giuseppe riconosciuto

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 24, Esther

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 26, La Betulia liberata

François Couperin and 'the perfection of music' av Tunley, David