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Liuteria classica italiana : chitarre del XIX e XX secolo

At the origins of classical opera : Carlo Goldoni and the "dramma giocoso per musica" av Rista, Pervinca

“…Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a `double life' as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. …”

Classical guitar student's library concert collection

Classic Italian songs for school and studio : in three volumes Volume III issued for medium low

Lieder by women composers of the Classic Era Volume I

Bel canto : the teaching of the classical Italian song-schools, its decline and restoration av Manén, Lucie

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 12, Joaz

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 13, Joaz av Marcello, Benedetto, 1686-1739

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 22, Ester

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 1, Oratorios by Pietro Della Valle, Francesco Foggia, Bonifazio Graziani, Marco Marazzoli

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 25, David poenitens

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 30, Betulia liberata

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 29, Giuseppe riconosciuto

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 23, La passione

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 14, Betulia liberata

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 19, Adamo ed Eva

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 24, Esther

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 26, La Betulia liberata

The Italian oratorio 1650-1800 works in a central Baroque and Classic tradition. Vol. 21, Isacco figura del Redentore