Search Results - (( ((varv OR (vare OR are)) OR var) musicological, ) OR ( ((varit OR satt) OR satt) musicology, ))*

Critical musicological reflections : essays in honour of Derek B. Scott

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

Hymns of the medieval Ambrosian liturgy with melodies from the earliest sources by Bailey, Terence, 1937-

Historia Sancti Iohannis Evangeliste (traditionibus Leodiensis et Boscoducis)

Dmitrij Šostakovič : Notografičeskij spravočnik v 3 vypuskach : Vypusk 1 : Ot rannich sočinenij do simfonij No 4 op. 43 (1914-1936) by Digonskaja, Olʹga Georgievna

Popular musicology and identity : essays in honour of Stan Hawkins

“…In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. …”

The supernatural voice : a history of high male singing by Ravens, Simon

Table of Contents: “…The discovery of Alfred Deller ; An inartistic trick: physiology and terminology ; The ancient world to the Middle ages ; A famine in tenors: the historically developing human larynx ; Renaissance Europe ; Are we too loud? The impact of volume on singing styles ; Late medieval and Renaissance England ; Reserved Spaniards: cultural stereotypes and the high male voice ; Baroque Europe ; Into man's estate: changing boys' voices and nascent falsettists ; Baroque England ; A musicological red herring: the etymology of the counter-tenor ; The nineteenth century ; The bearded lady: gender identity and falsetto ; The early twentieth century ; The angel's voice: falsetto in popular music ; The modern counter-tenor…”

The discourse of musicology by Hooper, Giles, 1974-

“…Considers issues that are central to recent debates about the nature and direction of contemporary musicology. …”

Virtual works -- actual things : essays in music ontology

“…What are musical works? How are they constructed in our minds? …”

The music of Joni Mitchell by Whitesell, Lloyd

“…Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. …”

Répertoire international des sources musicales. A. 2, Manuscrits musicaux après 1600. Catalogue thématique [Elektronisk resurs] = Music manuscripts after 1600. Thematic catalogue =...

The collected writings of Franz Liszt Vol. 1 F. Chopin

“…New research and perspectives in the field of Liszt studies are presented in the introduction to each book in the series, and the translations themselves are enhanced with annotations in accordance with modern standards of musicological research. …”

Music in China today : ancient traditions, contemporary trends

“…Stepping into the 21st century, a new folk song movement and the careers and success of glittering girl bands are examined, as are the ways Chinese in Taiwan look at their old motherland. …”

Icelandic men and me : sagas of singing, self and everyday life by Faulkner, Robert

“…Their sagas of song and singing are the subject of this book. The original Icelandic Sagas - among the most important collections of medieval European literature - are valued for richly detailed portrayals of individual lives. …”

Musical witness and holocaust representation by Wlodarski, Amy Lynn

“…This is the first musicological study entirely devoted to a comprehensive analysis of musical Holocaust representations in the Western art music tradition. …”

The complete works of William Billings Volume 4 The continental harmony (1794) by Billings, William, 1746-1800

The collected essays of Milton Babbitt by Babbitt, Milton, 1916-2011

Table of Contents: “…Synthesizer (1964) ; The Structure and Function of Musical Theory (1965) ; The Uses of Computers in Musicological Research (1965) ; Edgard Varese : A Few Observations of His Music (1966) ; Three Essays on Schoenberg (1968) ; On Relata I (1970) ; Contribution to The Composer in Academia : Reflections on a Theme of Stravinsky (1970) ; Memorial for Matyas Seiber (1970) ; Stravinsky Memorial (1971) ; Contemporary Musical Composition and Musical Theory as Contemporary Intellectual History (1972) ; Memorial for Stefan Wolpe (1972) ; Since Schoenberg (1974) ; Celebrative Speech for the Schoenberg Centennial (1976) ; Responses: A First Approximation (1976) ; Introduction to Marion Bauer, Twentieth Century Music (1978) ; Foreword to David Epstein, Beyond Orpheus (1979) ; Memorial for Ben Weber (1979) ; Memorial for Robert Miller (1981) ; The More than the Sounds of Music (1984) ; I Remember Roger (1985) ; All the Things They Are…”

Opera and society in Italy and France from Monteverdi to Bourdieu

Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinnen by Gökpinar, Yasemin

“…Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education"--…”

Distortion in music production : the soul of sonics

“…"Distortion in Music Production offers a range of valuable perspectives on how engineers and producers use distortion and colouration as production tools. Readers are provided with detailed and informed considerations on the use of non-linear signal processing, by authors working in a wide array of academic, creative, and professional contexts. …”