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Musicology : the key concepts by Beard, David, 1971-, Gloag, Kenneth, 1960-

Table of Contents: “…Absolute -- Aesthetics -- Alterity -- Analysis -- Authenticity -- Autobiography -- Autonomy -- Avant-garde -- Biography (life and work) -- Body -- Canon -- Class -- Cold War -- Confict (music and conflict) -- Consciousness --Cover version -- Creativity -- Critical musicology -- Critical theory -- Criticism -- Cultural studies -- Culture -- Culture industry -- Decadence -- Deconstruction -- Diegetic/nondiegetic -- Disability -- Discourse -- Ecomusicology -- Emotion -- Enlightenment -- Ethics (msuic and ethics) -- Ethnicity -- Feminism -- Film music -- Form -- Formalism -- Gay musicology -- Gender -- Genius -- Genre -- Gesture -- Globalization -- Hermeneutics -- Historical musicology -- Historicism -- Historiography -- Hybridity -- Identity -- Ideology -- Influence -- Interpretation -- Intertextuality -- Jazz -- Landscape -- Language -- Lateness (late works/late style) -- Listening -- Marxism -- Meaning -- Metaphor -- Modernism -- Narrative -- Nationalism -- New musicology -- 9/11 -- Organicism -- Orientalism -- Performance -- Periodization -- Place -- Politics (music and politics) -- Popular music -- Popular musicology -- Postivism -- Post-colonial/postcolonialism -- Postmodernism -- Post-structuralism -- Psychology -- Race -- Reception -- Recording -- Renaissance -- Romanticism -- Semiotics -- Sketch -- Sound/soundscape/sound studies -- Stance -- Structuralism -- Style -- Subject position -- Subjectivity -- Sublime -- Theory -- Tradition -- Value -- Work.…”

Corpus mensurabilis musicae

Comparative musicology revisited

Systematic and comparative musicology : concepts, methods, findings

Table of Contents: “…: a perspective on disciplinary and scientific developments -- Marc Leman: Systematic Musicology at the crossroads of modern music research -- Rolf Inge Godøy: Reflections on chunking in music -- Daniel Müllensiefen, Geraint Wiggins, David Lewis: High-level feature descriptors and corpus-based musicology : techniques for modelling music cognition -- Klaus Frieler: Metrical circle map and metrical Markov chains -- Christiane Neuhaus: Auditory Gestalt perception and the dissociation between pitch and time : ERP studies on processing musical sequence structure -- Rolf Bader Efficient auditory coding of a xylophone bar -- Arne von Ruschkowski: Loudness war -- Markus Abel: Synchronization of organ pipes -- Andreas Beurmann, Albrecht Schneider: Acoustics of the harpsichord : a case study -- Kai Lothwesen: Systematic Musicology and music education : an empirical investigation into research topics in German music education -- Comparative Musicology and Ethnomusicology: Bruno Nettl: Comparative study and comparative musicology : comments on disciplinary history -- Tiago de Oliveira Pinto: Music and the Tropics : on goals and achievements of Ethnomusicology in Brazil -- Jukka Louhivuri: Lutheran hymn singing in African context : Lobe den Herren, den mächtigen König der Ehren vs. …”
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The six anonymous L'homme armé masses in Naples, Biblioteca nazionale, MS VI E 40 by Cohen, Judith

Wege zur Musikwissenschaft = Paths to Musicology Gründungsphasen im internationalen Vergleich = founding phases in international comparison

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Sounds of war and peace : soundscapes of European cities in 1945

Early Post-War Polish Folk Music Recordings

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The soundtrack of conflict : the role of music in radio broadcasting in wartime and in conflict situations

Corpus mensurabilis musicae 5, Antonii Brumel Opera omnia

Corpus mensurabilis musicae 85, Six anonymous L'homme armé masses in Naples, Biblioteca nazionale, ms VI E 40

Evolutionary computer music

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An early fifteenth-century Italian source of keyboard music the codex Faenza, Biblioteca communale, 117 : a facsimile edition

L'espace: musique/philosophie

Corpus mensurabilis musicae 103, Les chansons de Gontier de Soignies

Corpus mensurabilis musicae 7 Opera omnia Jacobi Barbireau. 1, Missa Virgo parens Christi ; Missa Faulx perverse ; Kyrie paschale ; Missa Terribilment by Barbireau, Jacobus, 1455-1491, Barbingant, aktiv ca 1445-1460

Musikgeschichten: Von vergessenen Musikern und ›verlorenen Residenzen‹ im 18. Jahrhundert Amateure und Hofmusiker - Edinburgh und Hannover by Acquavella-Rauch, Stefanie

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Qui musicam in se habet : studies in honor of Alejandro Enrique Planchart

Canons and canonic techniques, 14th-16th centuries : theory, practice, and reception history ; proceedings of the international conference, Leuven, 4-6 October 2005

Collected sacred works Counterpoints on the cantus firmi of solemn Masses by Corteccia, Francesco, 1502-1571