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Empirical musicology : aims, methods, prospects

“…A practical guide to empirical approaches that are ready for incorporation in the contemporary musicologist's toolkit, including perspectives from music theory, computational musicology, ethnomusicology, and the psychology and sociology of music.…”

Computing in musicology : a directory of research. 13, Music query : methods, models, and user studies

Computing in musicology : a directory of research. 15 Tonal theory for the digital age

CCARH Publications: Computing in Musicology, Vol. 15

Digital resources for musicology

“…Neither the links or their descriptions are exhaustive.…”
Fritt tillgan̈glig pa I̊nternet

Popular musicology and identity : essays in honour of Stan Hawkins

“…Placing primacy on mapping sociocultural structures against the particularities of musical aesthetics, this book defines popular musicology as less characterised by the musical idioms or historical periods that are studied or the methodological tools that are employed, and more so by a willingness to attend to the plural analytical and interpretive possibilities afforded by musical experiences. …”

The discourse of musicology by Hooper, Giles, 1974-

“…Considers issues that are central to recent debates about the nature and direction of contemporary musicology. …”

Critical essays in popular musicology

“…The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts.…”

Perspectives on music, sound and musicology : research, education and practice

“…"This book gathers a set of works highlighting significant advances in the areas of music and sound. They report on innovative music technologies, acoustics, findings in musicology, new perspectives and techniques for composition, sound design and sound synthesis, and methods for music education and therapy. …”

Wege zur Musikwissenschaft = Paths to Musicology Gründungsphasen im internationalen Vergleich = founding phases in international comparison

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Critical musicological reflections : essays in honour of Derek B. Scott

Table of Contents: “…Virtuosity, a truth of musical performance / Antoine Hennion -- On music criticism and affect: two cases of the disaffected acoustic imaginary / John Richardson -- The development of Bob Dylan's rhythmic sense: 'the times they were a'changin' (1958-1964) / Charlie Ford -- How genres are born, change, die: conventions, communities and diachronic processes / Franco Fabbri -- Anatomy of the encounter: intercultural analysis as relational musicology / Nicholas Cook -- One way of feeling: contextualizing a hermeneutics of spatialization / Allan F. …”

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

CIM04 : Conference on Interdisciplinary Musicology : abstracts

Music, mathematics and language : the new horizon of computational musicology opened by information science by Hirata, Keiji, Tōjō, Satoshi, 1957-, Hamanaka, Masatoshi

“…This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. …”

Rethinking music through science and technology studies

“…Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies. …”

Musikgeschichten: Von vergessenen Musikern und ›verlorenen Residenzen‹ im 18. Jahrhundert Amateure und Hofmusiker - Edinburgh und Hannover by Acquavella-Rauch, Stefanie

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Icelandic men and me : sagas of singing, self and everyday life by Faulkner, Robert

Sounds of war and peace : soundscapes of European cities in 1945

Schoenberg and tonality : the eight songs op. 6 by Boucquet, Kristof

The world of South African music : a reader

Intents and purposes : philosophy and the aesthetics of improvisation by Lewis, Eric, 1961-

“…What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? …”