Search Results - ((((vrm OR war) OR (svarvat OR (varmt OR vare))) OR varv) OR ((are OR vara) OR var)) musicologica,~

Critical musicological reflections : essays in honour of Derek B. Scott

Musicologica 2

Musicologica olomucensia 4 : de consortiis musicis et musicorum musicaeque in Bohemia moraviaque circulatione 1600-1900 - fontium litterarumque status

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

Música/Musicología y colonialismo = music/ology and colonialism by Aharonián, Coriún (red.)

The operetta empire : music theater in early twentieth-century Vienna by Baranello, Micaela, 1985-

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Kingotone og brorsonsang - folkelig salmesang i Danmark : fra salmebøger og lydindspilninger by Rossil, Helen, 1971-

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Hymns of the medieval Ambrosian liturgy with melodies from the earliest sources by Bailey, Terence, 1937-

Historia Sancti Iohannis Evangeliste (traditionibus Leodiensis et Boscoducis)

Dmitrij Šostakovič : Notografičeskij spravočnik v 3 vypuskach : Vypusk 1 : Ot rannich sočinenij do simfonij No 4 op. 43 (1914-1936) by Digonskaja, Olʹga Georgievna

Popular musicology and identity : essays in honour of Stan Hawkins

“…In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. …”

The supernatural voice : a history of high male singing by Ravens, Simon

Table of Contents: “…The discovery of Alfred Deller ; An inartistic trick: physiology and terminology ; The ancient world to the Middle ages ; A famine in tenors: the historically developing human larynx ; Renaissance Europe ; Are we too loud? The impact of volume on singing styles ; Late medieval and Renaissance England ; Reserved Spaniards: cultural stereotypes and the high male voice ; Baroque Europe ; Into man's estate: changing boys' voices and nascent falsettists ; Baroque England ; A musicological red herring: the etymology of the counter-tenor ; The nineteenth century ; The bearded lady: gender identity and falsetto ; The early twentieth century ; The angel's voice: falsetto in popular music ; The modern counter-tenor…”

Virtual works -- actual things : essays in music ontology

“…What are musical works? How are they constructed in our minds? …”

The discourse of musicology by Hooper, Giles, 1974-

“…Considers issues that are central to recent debates about the nature and direction of contemporary musicology. …”

The music of Joni Mitchell by Whitesell, Lloyd

“…Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. …”

Répertoire international des sources musicales. A. 2, Manuscrits musicaux après 1600. Catalogue thématique [Elektronisk resurs] = Music manuscripts after 1600. Thematic catalogue =...

The collected writings of Franz Liszt Vol. 1 F. Chopin

“…New research and perspectives in the field of Liszt studies are presented in the introduction to each book in the series, and the translations themselves are enhanced with annotations in accordance with modern standards of musicological research. …”

Music in China today : ancient traditions, contemporary trends

“…Stepping into the 21st century, a new folk song movement and the careers and success of glittering girl bands are examined, as are the ways Chinese in Taiwan look at their old motherland. …”

Icelandic men and me : sagas of singing, self and everyday life by Faulkner, Robert

“…Their sagas of song and singing are the subject of this book. The original Icelandic Sagas - among the most important collections of medieval European literature - are valued for richly detailed portrayals of individual lives. …”

Musical witness and holocaust representation by Wlodarski, Amy Lynn

“…This is the first musicological study entirely devoted to a comprehensive analysis of musical Holocaust representations in the Western art music tradition. …”