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Critical musicological reflections : essays in honour of Derek B. Scott

Musicological studies and documents.

Musicologica olomucensia 4 : de consortiis musicis et musicorum musicaeque in Bohemia moraviaque circulatione 1600-1900 - fontium litterarumque status

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

Música/Musicología y colonialismo = music/ology and colonialism by Aharonián, Coriún (red.)

The six anonymous L'homme armé masses in Naples, Biblioteca nazionale, MS VI E 40 by Cohen, Judith

An early fifteenth-century Italian source of keyboard music the codex Faenza, Biblioteca communale, 117 : a facsimile edition

Kingotone og brorsonsang - folkelig salmesang i Danmark : fra salmebøger og lydindspilninger by Rossil, Helen, 1971-

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Hymns of the medieval Ambrosian liturgy with melodies from the earliest sources by Bailey, Terence, 1937-

Historia Sancti Iohannis Evangeliste (traditionibus Leodiensis et Boscoducis)

Monumentos de la música española Volumen 59 Villancicos policorales aragoneses del siglo XVII

Dmitrij Šostakovič : Notografičeskij spravočnik v 3 vypuskach : Vypusk 1 : Ot rannich sočinenij do simfonij No 4 op. 43 (1914-1936) by Digonskaja, Olʹga Georgievna

The complete works of William Billings Volume 4 The continental harmony (1794) by Billings, William, 1746-1800

Popular musicology and identity : essays in honour of Stan Hawkins

“…In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. …”

The supernatural voice : a history of high male singing by Ravens, Simon

Table of Contents: “…The discovery of Alfred Deller ; An inartistic trick: physiology and terminology ; The ancient world to the Middle ages ; A famine in tenors: the historically developing human larynx ; Renaissance Europe ; Are we too loud? The impact of volume on singing styles ; Late medieval and Renaissance England ; Reserved Spaniards: cultural stereotypes and the high male voice ; Baroque Europe ; Into man's estate: changing boys' voices and nascent falsettists ; Baroque England ; A musicological red herring: the etymology of the counter-tenor ; The nineteenth century ; The bearded lady: gender identity and falsetto ; The early twentieth century ; The angel's voice: falsetto in popular music ; The modern counter-tenor…”

Virtual works -- actual things : essays in music ontology

“…What are musical works? How are they constructed in our minds? …”

The discourse of musicology by Hooper, Giles, 1974-

“…Considers issues that are central to recent debates about the nature and direction of contemporary musicology. …”

The music of Joni Mitchell by Whitesell, Lloyd

“…Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. …”

Benjamin britten studies : essays on an inexplicit art by Vickers, Justin

“…Using the most recent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the "protective arm" around Britten and disclose an unprecedented amount of previously unpublished and disregarded primary source materials. …”

Répertoire international des sources musicales. A. 2, Manuscrits musicaux après 1600. Catalogue thématique [Elektronisk resurs] = Music manuscripts after 1600. Thematic catalogue =...