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Critical musicological reflections : essays in honour of Derek B. Scott

Musicological studies and documents.

The critical reception of Beethoven's compositions by his German contemporaries

Borderline areas in fourteenth and fifteenth-century music = Grenzbereiche in der Musik des 14. und 15. Jahrhunderts

The six anonymous L'homme armé masses in Naples, Biblioteca nazionale, MS VI E 40 av Cohen, Judith

Musical sources of the Old-Roman mass : an inventory of MS Rome, St. Cecilia Gradual 1071; MS Rome, Vaticanum latinum 5319; MSS Rome, San Pietro F 22 and F 11 av Cutter, Paul F.

An early fifteenth-century Italian source of keyboard music the codex Faenza, Biblioteca communale, 117 : a facsimile edition

The operetta empire : music theater in early twentieth-century Vienna av Baranello, Micaela, 1985-

Omslagsbild

Psallendae : the Ambrosian processional antiphons

Hymns of the medieval Ambrosian liturgy with melodies from the earliest sources av Bailey, Terence, 1937-

Historia Sancti Iohannis Evangeliste (traditionibus Leodiensis et Boscoducis)

The critical reception of Beethoven's compositions by his German contemporaries. Vol. 1

The critical reception of Beethoven's compositions by his German contemporaries. Vol. 2

The complete works of William Billings Volume 4 The continental harmony (1794) av Billings, William, 1746-1800

Dmitrij Šostakovič : Notografičeskij spravočnik v 3 vypuskach : Vypusk 1 : Ot rannich sočinenij do simfonij No 4 op. 43 (1914-1936) av Digonskaja, Olʹga Georgievna

Popular musicology and identity : essays in honour of Stan Hawkins

“…In the new millennium, popular musicological approaches have proliferated and evolved alongside major shifts in the music industry and popular culture. …”

The supernatural voice : a history of high male singing av Ravens, Simon

Innehåll: “…The discovery of Alfred Deller ; An inartistic trick: physiology and terminology ; The ancient world to the Middle ages ; A famine in tenors: the historically developing human larynx ; Renaissance Europe ; Are we too loud? The impact of volume on singing styles ; Late medieval and Renaissance England ; Reserved Spaniards: cultural stereotypes and the high male voice ; Baroque Europe ; Into man's estate: changing boys' voices and nascent falsettists ; Baroque England ; A musicological red herring: the etymology of the counter-tenor ; The nineteenth century ; The bearded lady: gender identity and falsetto ; The early twentieth century ; The angel's voice: falsetto in popular music ; The modern counter-tenor…”

The discourse of musicology av Hooper, Giles, 1974-

“…Considers issues that are central to recent debates about the nature and direction of contemporary musicology. …”

Virtual works -- actual things : essays in music ontology

“…What are musical works? How are they constructed in our minds? …”

The music of Joni Mitchell av Whitesell, Lloyd

“…Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. …”